An update

It has been a while since I last blogged. I’ve needed the time to just be, to heal and to reflect. I became a bit of a hermit because that’s what I needed at the time.

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Grief is a strange phenomena. Sometimes when you think you are piecing yourself back together, something comes along: a memory, a scent, a sound which reminds you of your loved one’s absence and you’re back in that heartache. That’s how it’s been for me anyway, everyone grieves differently.

Besides being a hermit, I’ve had to focus more on my uni studies and I’m pleased to say I’ve completed my degree and will graduate next month. Studying towards a degree has been a challenge for me with working full time, losing loved ones the stress of day to day life, and I’m so pleased and relieved to have passed my course. Once I’ve graduated I will need to then do some research about what I would like to do with my degree. One path leads to another.

In other news, my partner and I got engaged and we’re getting married next year, so I’ve been doing a lot of wedding planning. We also bought our first house together and moved in during the winter months. So a lot has been going on for me this past year!

I plan to get back into blogging because I’ve really missed writing and researching folklore and witchcraft. So keep tuned because more content will be coming soon!

My fiance and I are just back from a trip to Berlin, and it was amazing exploring all of the sights such as the Berlin Wall, the TV Tower and Brandenburg Tor and trying currywurst for the first time. I’m now having currywurst withdrawal so I’m hoping when the next German food stalls appear in town they will be selling this as well as regular bratwurst.

 

We also went to see the Icelandic techno-punk BDSM perfomance art group Hatari play in Berlin, and it was honestly the best gig of my life. I loved it so much that I’m going to see them in London again next year for their Europe Will Crumble tour. Hatari have inspired me to get back into being my creative self, as well as looking deeply into the state of the world. Their music speaks of the paradox of man’s existence in a capitalist society, of the destruction we’re causing the planet and thus ultimately destroying ourselves. Everyone has a price, everyone is for sale. From their instagram:

Hatari is a political multimedia project which aims to unveil the relentless scam that is everyday life. We cannot change things, but we can unveil the anomie of neoliberal society, the pointlessness of every minute spent in the race, and the low price for which man sells himself ever more blatantly.

 

 

 

I had intentions to set up a witchy shop online, but I never got round to doing it due to studies. It’s something I consider doing every now and then but ultimately I’m unsure if I will at this stage. I’ve been rather busy as mentioned above!

I mentioned in a post a little while back about fundraising for the Tales of the Taibhsear album, and it’s been released and the project is such a success, that Scott of The Cailleach’s Herbarium also set up a organisation called The Woven Land Network designed to raise funds to restore and preserve important sacred sites around Scotland such as holy wells and standing stones as well as education people about their history (if known), their function and how to visit these sites respectfully. You can find out more on their facebook page or website: The Woven Land Network  It’s a very exciting project and I’m proud of Scott for working so hard to educate others and conserve these sites.

I plan to get blogging again more frequently, there are still plenty of folkloric tales to tell and spells to do.

Beannachd Leibh x

 

Tales of the Taibhsear-spoken word album of Scottish charms

I love folklore with a passion, and if it weren’t for the likes of Alexander Carmichael, F. Marian McNeill and Robert Kirk taking the time to collect and publish their research then much would be lost to history. By time, this often meant decades of painstaking research becoming their life’s greatest work. We owe them a great debt.

We can share their knowledge and many do now on social media. Scottish folklore is rising in popularity and with the introduction of Folklore Thursday on twitter and Facebook, the lore of our ancestors is shared around the globe within mere seconds. How quickly we can share information is staggering.

My friend Scott of Cailleach’s Herbarium has started a project to help preserve, record and share Scottish magical practices and folklore. Like the folklorists before him, he is concerned with ensuring Scotland’s rich cultural lore does not become lost in the mists of time.  Entitled Tales of the Taibhsear:

“Taibhhsear”  (pronounced tive’sher) is the title given to one who can see spirits of the dead – literally ghost seer. Capturing the essence of this  spoken word album project.

Scotland has many traditions such as this veiled within Gaelic charms, language and memories shared in metaphor and song.

With your support, we will be able to rediscover, reinvigorate, record and share a collection of these folk magic traditions in Gaelic and English, reclaiming them helping us share the knowledge with you and others.

 

Please share the link below and donate if you can ❤

 

Tales of the Taibhsear

 

Martin’s Stane

 

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Today I dragged my lovely man out in the cold air, crunching across a frosty field to see our local Pictish stone. Known as the Balluderon stone, St Martin’s stone or Martin’s Stane this is said to be the site where a local hero avenged the death of his lover by slaying the dragon who killed her. There were nine maidens and their father who lived at Pitempton farm. He sent a daughter out to fetch water from.a well and when she didn’t return he sent another and another until all nine maidens had been sent. Martin, a young blacksmith and lover of one of the daughters found that a dragon from the well had eaten all of the maidens and he chased the dragon around Dundee.

The saying goes:

‘Tempted at Pitempton,
Draigled at Baldragon
Stricken at Strathmartine
And killed at Martin’s stane.’

Each of these are places names around Dundee. I have ties to Pitempton through my grandfather and great grandfather who ran Pitempton farm many years ago. So for me not only was this a fascinating link to history but also a connection to my ancestors. I took home a piece of natural quartz from the field and will set it on my ancestors altar.

Family is a big thing for me right now, with my brother passing away over a year ago and sadly more recently we lost our mother who passed away unexpectedly and hit us all hard. It’s been a very sombre Yule and New Year.  I’m taking the time to appreciate each day making more time to spend with my relatives, and acknowledging those gone before me.

 

The Sidlaws, the fairy hills of Angus and Perthshire:

 

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Finishing off the day with a beautiful sunset

 

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Payments to your spirits and gods 



Your spirits and gods demand your payment as soon as they have delivered on their side of any deal made.
They do not care if you have other things going on in your life, if you are late in offering their payment they will send not-so-gentle reminders that you owe them.

To give an example, I petitioned Bride for help in finding a new place to live. It was an urgent request as my boyfriend  moved in with me and my tiny flat wasn’t big enough for us and our stuff. I promised Bride that she would get a special space set up for her in the kitchen of our new home. 
We get a house straight away and move in a couple of days after signing the lease. Everyone knows moving home is stressful and keeps you busy. Unboxing years of stuff and books (oh so many books) takes time. So I did not set up her shrine space straight away. I said to myself I’d do that once I’ve settled in properly.

Bride saw things differently. Our gas boiler broke down about a week after moving in. It was November and it was freezing. The whole boiler system needed replaced and we went two weeks without central heating using shitty convector electric heaters which ran up our electricity bill.
I realised it looked like I hadn’t paid my due to Bride even though I had every intention of doing it. Action speaks louder however so I set up her shrine space once it clicked in my head. If I’d done this in the first place I’d have saved money on my electricity and wouldn’t have spent two weeks freezing my arse off during a Scottish winter. 
Pay your dues asap folks. Spirits and gods don’t like to wait..

Nicnevin

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A couple of years ago I contributed to Naming the Goddess by Moon Books with my essay about Nicnevin. Now, for a little Samhain treat, I thought I would publish my article here for people to read. Enjoy!

 

Nicnevin with her nymphes, in number anew
With charms from Caitness and Chanrie of Ross
Whose cunning consists in casting a clew”

– Alexander Montgomerie in his Flyting Betwixt Polwart and Mongomery

Nicnevin (sometimes Nicneven or Nicnevan) is a Queen of the fairies or the Queen of Elphame within Scottish Folklore. She rules the unseelie court of Alba, unusual creatures, spirits and nymphs. She is very much an otherworldly deity associated with witchcraft and necromancy and she has been connected to several other deities with similar attributes.

Her name derives from the Gaelic surname Neachneohain meaning “daughter(s) of the divine” and/or “daughter(s) of Scathach” . NicNaoimhein meaning “daughter of the little saint”.

The use of the name was first recorded c.1585, in Montgomerie’s Flyting, and also given to a woman condemned to death for Witchcraft: Kate McNiven (Scotland: Myth, Legend & Folklore, Stuary McHardy, Luath Press 1999.)

“This name, generally given to the Queen of the Fairies, was probably bestowed upon her [Kate McNiven] on account of her crimes.” Pref. to Law’s Memor. xxviii, N. (Supplement to the Etymological Dictionary of the Scottish Language: Volume Two by John Jamieson).

Nicnevin has been conflated with the Gyre Carling, Black Annis, The Cailleach, Habetrot and has also been called the Scottish Hecate. We can infer from these connections that her domain is primarily magic, witchcraft and her role as Queen of the fairies, she connected to the realm of the dead and necromancy. She is known as a hag and giantess, however both The Cailleach and Habetrot have been known to transform into younger more beautiful versions of themselves, and it can be said Nicnevin also has the power of shape shifting into a young and beautiful form. She is a goddess who moves between the worlds,

She has been called the Bone Mother. She is among those who take part in The Wild Hunt. Nicnevin flies through the air accompanied by flocks of honking geese, and geese are among those classed as psychopomps.” (The Weiser Field Guide to Witches, Judika Illes.)

By examining some of those she is often compared to we will gain a much better understanding of Nicnevin’s domain. To begin with there is the Gyre Carling, gyre possibly originates from the Norse gýgr meaning “ogress” and carlin/carling is used in both Scots and English and translates as “old woman”. So the Gyre Carline is understood to be a crone like figure, an ogress/giantess. The word carlin has also been used to describe a witch, a link to the supernatural. She is much maligned as a giant hag with a taste for the flesh of good Christian men as mentioned in The Flyting of Dunbar and Kennedy (1508) and the poem The Gyre Carling mentioned in the Bannatyne MS.

It is interesting to consider that the terms Nicnevin and Gyre Carlin were both used to describe a senior witch, so this may not simply be a description of cronehood, but representative of rank and power within a witch cult. As mentioned by Sir Walter Scott in Letters on Demonology and Witchcraft (1830), “After midnight the sorceress Marian

MacIngarach, the chief priestess or Nicneven of the company”

[Mother Nicneven] This was the name given to the grand Mother Witch, the very Hecate of Scottish popular superstition. Her name was bestowed, in one or two instances, upon sorceresses, who were held to resemble her by their superior skill in “Hell’s black grammar.” The Abbot, Sir Walter Scott, 1871.

Nicneven has been called the Scottish Hekate in the works of Sir Walter Scott, and he often uses the terms Nicniven and Hekate interchangeably as though they are one and the same. Scott uses these terms to describe the head of a Scottish covine (coven) of witches practising necromancy in Letter V of his Letters on Demonology and Witchcraft (1830).

Hekate is widely known as the Greek goddess of witchcraft, the crossroads, the night and she has connections to the fairy realm and realm of the dead – attributes also associated with Nicnevin so it’s not surprising she is referred to as the Scottish Hekate.

Nicnevin has also been aligned with The Cailleach, and both are Scottish deities described as giantesses and hag-like. It has also been suggested that Nicnevin means daughter of [Ben] Nevis, as Nic means daughter of, and Neven linked to Nevis, thus linking this goddess to The Cailleach as Ben Nevis is her seat of power (Visions of The Cailleach, Sorita d’Este and David Rankine).

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It is said Nicnevin does have a consort but no name is given, and I’ve found no historical content of this nature. It is possible that this is a modern concept to fit in with western witchcraft and of the goddess/consort duality.

In modern practice Nicnevin is believed to ride out on The Wild Hunt at Samhuinn Eve as The Queen of Elphame with her spirits and mysterious creatures, whereas others say her sacred days are 9th and 11th November. Yule or Midwinter is also said to be sacred to her. Nicnevin can be called upon for aid in otherworldly travel, communicating with spirits, protection at night, and pretty much everything within the domain of witchcraft.

I’ve found no specific places or sites sacred to her, there is a folkloric belief that one of her sacred sites is Tomnahurich Hill, on the outskirts of Inverness. However I feel as she is so closely associated with the The Cailleach, Gyre Carling and Black Annis then their sacred sites can be attributed to Nicnevin also. It is worth considering all these deities may in fact be one and the same and their names have changed throughout the duration of history. Another place of interest linked loosely to Nicnevin is Kate McNiven’s Stane which is a solitary standing stone believed to once be part of a stone circle, found at Knock of Crieff (Scotland: Myth, Legend & Folklore, Stuary McHardy, Luath Press 1999.)

From what we have examined it is apparent Nicnevin is a multi-faceted deity with a far reaching domain and yet she still exudes so much mystery, for not only is she a goddess but also a fairy queen. She is a goddess of transformation and all things in the realm of witchcraft. She is queen, she is hag, she is beauty and she is power. Her mysteries are waiting to be explored, and perhaps if you look to the skies from the safety of your home on Samhuinn Eve, you will be lucky to see the Queen of Elphame ride out with her party.

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Queen of the Bad Fairies by Brian Froud.

Good health and blessings this Samhain night.

The Magic of Rowan

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When the days were still as deith,

An’ I couldna see the kye,

Though I’d mebbe hear their breith

I’ the mist oot-bye;

When I’d mind the lang grey een

O’ the warlock by the hill,

And sit flegged, like a wean,

Gin a whaup cried shrill;

Though the hert wad dee in me

At a fitstep on the floor,

There was aye the rowan tree

Wi’ its airm across the door.”

– The Silver Bough, Volume 1, F. Marian McNeill

 

The magic of the rowan tree has enchanted me since childhood. It seems to be a tree which marks the end of summer and beginning of autumn, with its red jewels drooping towards the earth. I’d felt a pull towards this tree long before I knew anything about witchcraft. Perhaps a wee bit of ancestral memory was passed down, as this tree is very important in Scottish folklore.

The rowan, rodden, or mountain ash – ‘the mystic tree whose scarlet berries were the ambrosial food of the Tuatha de Danann’ – may still be seen growing hard by many of our cairns, stone circles and other sites of pagan worship. As a potent charm against witchcraft and evil spells, it was used in many forms about the homestead – in fact, an old Scots word for the cross-beam in the chimney is rantree, a form of rowan tree, o which, as a lucky wood, it was commonly made. Rowan wood was also used for the distaff, the churn-staff, the peg of the cow shackle, the pin of the plough or water-mill… a rowan tree was commonly planted at the door of the homestead to ‘keep the witches away’.

-The Silver Bough, Volume 1. F. Marian McNeill.

In Highland life, a family’s livestock was often their only source of food and money and rowan charms were used to protect animals from bewitchment and mishap.The rowan tree was also shaped in the form of an arch over the byre door to protect cows, and on Quarter days a wand of rowan was placed above the lintels of the house and out-houses and a twig carried in the pocket for protection. A tree was often planted near a gate or front door of the property.

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One of the most popular pieces of Scottish folk magic is the rowan tree and red thread. An auld rhyme states:

“Rowan tree and red threid, Gar the witches tyne their speed.”

Two twigs of rowan were shaped like a cross and tied together with red thread and this was carried on one’s person for protection from witches and evil spells, or the evil eye.

This practice has a long history, having been recorded by James VI who wrote about the use of rowan charms in his book Daemonologie 1597. He noted that people protected their cattle against the evil eye by “knitting roun trees or sundriest kind of herbes to the haire and tailes of the goods (animals)”.  It is likely this practice dates back much further than 16th century.

In 1709, Thomas Pennant recorded that,

“The farmers carefully preserve their cattle against witchcraft by placing boughs of the mountain ash and honeysuckle in their cows’ houses on the 2nd of May.”

This practice was also seen well into the 19th century in the north-east of Scotland.

Red thread was also used alone by Highland women as a charm tied around the finger or wrist. The colour red was associated with blood and life force and having protective qualities.  Women would also wear a string of rowan berries as necklace for protection.

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The rowan trees outside my home are heavy with lots of bright red berries and I had a dream that the first fall of snow will come early this winter. Folklore suggests that an abundance of berries on a tree can indicate an early and cold winter is on its way. The elder berries this year were very quickly gobbled up by the birds. The signs are telling me to buy a lot of thick woolly jumpers and cardigans! As much as I dislike the thought of a cold Scottish winter, I do feel it’s needed. Last year’s winter was too mild with little snowfall.

So, besides their mystical and folkloric properties, rowan berries were also used as a traditional medicine in Scotland. Mary Beith states in Healing Threads that,

A good gargle can be made from the berries by boiling them to a pulp, then they should be squeezed through muslin and strained for use. Whooping cough was relieved  with a decoction of apples and rowanberries sweetened with brown sugar. Lightfoot mentions that in Jura, ‘They use the juice of [the rowan] as an acid for punch”. (Rowan contains sorbic acid).

Rowan berries must never be eaten raw, because the acids in them can cause indigestion and lead to kidney damage. But heat treatment such as cooking, heat-drying and to a lesser extent freezing, neutralizes the acids making them benign.

Rowan Jelly

Ingredients: Rowan berries, apples, water, sugar.

“Gather your rowan berries when almost ripe. Remove the stalks and wash and drain the berries. Put them in a preserving-pan with enough cold water to float them well. Let them simmer for about forty minutes or until the water is red and the berries are quite soft. Strain off the juice, being careful not to press the fruit in the least. Measure the juice and return it to the pan. Add sugar in the proportion of a pound to each pint of juice. Boil rapidly for half and hour or until some of it sets quickly on a plate when cold. Skim it well, pour it into small pots and tie down quickly.

If you allow pound for pound of apple juice to rowan juice you will get a delightful jelly. Allow a pound of sugar to each pint of apple juice. Rowan jelly is an excellent accompaniment to grouse, venison and saddle of mutton.” 

– The Scots Kitchen, F. Marian McNeill.

 

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Slàinte mhath!

Sources:

The Silver Bough, Volume one – F. Marian McNeill

The Scots Kitchen – F. Marian McNeill

Healing Threads, Traditional medicines of the Highlands and Islands – Mary Beith.

Myth and Magic, Scotland’s Ancient Beliefs & Sacred Places – Joyce Miller

Mystical Scotland – Ann Lindsay Mitchell

The Witch in Wildcat Country

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Clan Macpherson motto and badge

 

A few days ago myself and my boyfriend took a trip to wildcat country (Badenoch and Strathspey), in particular Newtonmore.

Newtonmore is the land of Clan Macpherson, a clan I have ties to through my father. As a small child I grew up listening to the tales of the Macphersons; of the outlaw James Macpherson – a Scottish Robin Hood to some, an outlaw freebooter to others,  and the tales of Cluny Macpherson living in Cluny’s cave as he hid from the redcoats after the ’45 Jacobite defeat. I used to sit crossed legged on the floor in front of the fireplace,  my hands cradling my chin as I waited to hear more of my father’s stories. He was very passionate about his clan roots, and Macpherson is but one clan we can identify with. Since tracing my family tree, I’ve discovered I have ties to Frasers and Macleods also. I have some Irish roots through my maternal grandmother also

I love travelling in the highlands, I love seeing the mountains and heather-covered hillsides, I love seeing the little rivulets of water streaming down them and the tiny streams flowing through the landscape. I love seeing the mists and clouds kissing the top of the munros. It feels like such a raw and wild landscape and it makes my heart soar every time I see it. This land sings through my veins, it whispers to me of songs and stories and battles; of families huddled together by fireside, of the indomitable spirit of the Scottish people living and thriving on such a wild and harsh landscape. There is magic there in every rock and river, every bush and tree and wild flower, there is a charge in the air and it feels as though you have entered a different world.

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I was so excited to be in Newtonmore, the land of my ancestors. My father once visited here to go to the Clan Macpherson museum many years before I was born. He passed away when I was a teenager, so coming to Newtonmore felt like a way I could also connect with him. I am a witch who venerates my ancestors so coming to Newtonmore allowed me to connect more with them and discover more about myself.

We stopped off at a cafe on Main street first for a bit of lunch then walked down to the Clan Macpherson museum. We were greeted by a jolly and pleasant curator named Ruiseart, who spotted my pentacle necklace and questioned me about it. I felt a bit put on the spot at first, wondering if I should declare my pagan practice, but I needn’t have hesitated as it turns out he is also pagan! We had a good chat about our paths and it was a nice surprise meeting another like minded person.

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The first display I saw showed Jamie Macpherson’s broken fiddle and a replica of the two-handed sword he was said to wield. My father had been here decades before viewing this very fiddle. I felt both happiness and slight melancholy seeing it. I wished I could have visited this place with him. I wished I could have experienced this trip with him. But instead I got to experience it with another very important man in my life – my boyfriend, who wasn’t as enrapt  with the museum since he has no personal ties to this clan. Still he brought me to Newtonmore and he knew how important it was for me and I absolutely love him for it.

After the Clan Macpherson museum we walked down to the Highland Folk Museum –  an open air museum giving a taste of how highland people lived from 1700s to 1960s. They have over 30 historical buildings on display including an 1930’s sweet shop, an old post office, a working croft, a blackhouse and smokehouse, as well as an outdoor farm.

It was a roasting hot day with temperatures reaching up to 30 °C! Don’t listen to what everyone says about it always raining in Scotland, because we do have some gorgeous summer weather at times. Me and my man walked about in that temperature for well over an hour, seeking shade in the pine forest where we could. I wanted a piece of this land to take home with me, so I picked up a small rock and a plucked a piece of heather growing abundantly around me.

After a quick stop at the cafe and then the gift shop it was time to get back on the road for the long drive home. As much as the heat was unbearable I still loved the journey, I spoke silent prayers of thanks to the spirits of the land, to the hills and mountains, to the spirits of water and heather.

One of the first things I did as I got home was to to put the rock and sprig of heather on my ancestor altar and whisper a thank you to my ancestors, giving thanks for the love of generations before which gave me life and for gifting me a strong will and indomitable spirit.

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Creag Dhubh (The Black Rock) as seen from the Highland Folk Museum, Newtonmore.

Beannachd leibh x

 

 

 

 

 

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Scotland’s Favourite Son

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image from Google

Burns Night 25th January

Robert Burns also known as Scotland’s Favourite Son, The Bard, The Ploughman Poet and many other names, was a Scottish poet and lyricist. He is a big deal in Scotland, regarded as our national poet, and his fame has spread worldwide. He wrote his poems in the Scots language and many have been published in English to reach a wider audience.

Burns also collected folk songs throughout Scotland and adapted them. Many of you will have heard of Auld Lang Syne, the song traditionally sang at Hogmanay, we’ve Burns to thank for that.

Burns Night has effectively become a national day celebrating The Bard’s birthday, and is celebrated more widely than St Andrews Day which is Scotland’s national holiday. Many people will attend a Burns Supper which consists of a meal of haggis, neeps and tatties and whisky, toasts are made, and Burns’ poetry recited.

Today I will be reading some of my favourite Burns’ poems and songs and sharing a meal of haggis, neeps and tatties and a dram of whisky with my ancestors.

One of my favourite poems is Tam o’ Shanter. The poem is about a farmer making his way home drunk. As he rides home on his beloved horse Meg he comes across Alloway Kirk ablaze with light and full of witches and warlocks dancing and even the Devil himself.  He is chased by the witches and the Devil and races to make it across the bridge (it was known that the Devil and witches could not cross running water):

Tam o’ Shanter:

When chapman billies leave the street, 
And drouthy neibors, neibors, meet; 
As market days are wearing late, 
And folk begin to tak the gate, 
While we sit bousing at the nappy, 
An' getting fou and unco happy, 
We think na on the lang Scots miles, 
The mosses, waters, slaps and stiles, 
That lie between us and our hame, 
Where sits our sulky, sullen dame, 
Gathering her brows like gathering storm, 
Nursing her wrath to keep it warm. 

This truth fand honest Tam o' Shanter, 
As he frae Ayr ae night did canter: 
(Auld Ayr, wham ne'er a town surpasses, 
For honest men and bonie lasses). 

O Tam! had'st thou but been sae wise, 
As taen thy ain wife Kate's advice! 
She tauld thee weel thou was a skellum, 
A blethering, blustering, drunken blellum; 
That frae November till October, 
Ae market-day thou was na sober; 
That ilka melder wi' the Miller, 
Thou sat as lang as thou had siller; 
That ev'ry naig was ca'd a shoe on 
The Smith and thee gat roarin' fou on; 
That at the Lord's house, ev'n on Sunday, 
Thou drank wi' Kirkton Jean till Monday, 
She prophesied that late or soon, 
Thou wad be found, deep drown'd in Doon, 
Or catch'd wi' warlocks in the mirk, 
By Alloway's auld, haunted kirk. 

Ah, gentle dames! it gars me greet, 
To think how mony counsels sweet, 
How mony lengthen'd, sage advices, 
The husband frae the wife despises! 

But to our tale: Ae market night, 
Tam had got planted unco right, 
Fast by an ingle, bleezing finely, 
Wi reaming swats, that drank divinely; 
And at his elbow, Souter Johnie, 
His ancient, trusty, drougthy crony: 
Tam lo'ed him like a very brither; 
They had been fou for weeks thegither. 
The night drave on wi' sangs an' clatter; 
And aye the ale was growing better: 
The Landlady and Tam grew gracious, 
Wi' favours secret, sweet, and precious: 
The Souter tauld his queerest stories; 
The Landlord's laugh was ready chorus: 
The storm without might rair and rustle, 
Tam did na mind the storm a whistle. 

Care, mad to see a man sae happy, 
E'en drown'd himsel amang the nappy. 
As bees flee hame wi' lades o' treasure, 
The minutes wing'd their way wi' pleasure: 
Kings may be blest, but Tam was glorious, 
O'er a' the ills o' life victorious! 

But pleasures are like poppies spread, 
You seize the flow'r, its bloom is shed; 
Or like the snow falls in the river, 
A moment white - then melts for ever; 
Or like the Borealis race, 
That flit ere you can point their place; 
Or like the Rainbow's lovely form 
Evanishing amid the storm. - 
Nae man can tether Time nor Tide, 
The hour approaches Tam maun ride; 
That hour, o' night's black arch the key-stane, 
That dreary hour he mounts his beast in; 
And sic a night he taks the road in, 
As ne'er poor sinner was abroad in. 

The wind blew as 'twad blawn its last; 
The rattling showers rose on the blast; 
The speedy gleams the darkness swallow'd; 
Loud, deep, and lang, the thunder bellow'd: 
That night, a child might understand, 
The deil had business on his hand. 

Weel-mounted on his grey mare, Meg, 
A better never lifted leg, 
Tam skelpit on thro' dub and mire, 
Despising wind, and rain, and fire; 
Whiles holding fast his gude blue bonnet, 
Whiles crooning o'er some auld Scots sonnet, 
Whiles glow'rin round wi' prudent cares, 
Lest bogles catch him unawares; 
Kirk-Alloway was drawing nigh, 
Where ghaists and houlets nightly cry. 

By this time he was cross the ford, 
Where in the snaw the chapman smoor'd; 
And past the birks and meikle stane, 
Where drunken Charlie brak's neck-bane; 
And thro' the whins, and by the cairn, 
Where hunters fand the murder'd bairn; 
And near the thorn, aboon the well, 
Where Mungo's mither hang'd hersel'. 
Before him Doon pours all his floods, 
The doubling storm roars thro' the woods, 
The lightnings flash from pole to pole, 
Near and more near the thunders roll, 
When, glimmering thro' the groaning trees, 
Kirk-Alloway seem'd in a bleeze, 
Thro' ilka bore the beams were glancing, 
And loud resounded mirth and dancing. 

Inspiring bold John Barleycorn! 
What dangers thou canst make us scorn! 
Wi' tippenny, we fear nae evil; 
Wi' usquabae, we'll face the devil! 
The swats sae ream'd in Tammie's noddle, 
Fair play, he car'd na deils a boddle, 
But Maggie stood, right sair astonish'd, 
Till, by the heel and hand admonish'd, 
She ventur'd forward on the light; 
And, wow! Tam saw an unco sight! 

Warlocks and witches in a dance: 
Nae cotillon, brent new frae France, 
But hornpipes, jigs, strathspeys, and reels, 
Put life and mettle in their heels. 
A winnock-bunker in the east, 
There sat auld Nick, in shape o' beast; 
A towzie tyke, black, grim, and large, 
To gie them music was his charge: 
He screw'd the pipes and gart them skirl, 
Till roof and rafters a' did dirl. - 
Coffins stood round, like open presses, 
That shaw'd the Dead in their last dresses; 
And (by some devilish cantraip sleight) 
Each in its cauld hand held a light. 
By which heroic Tam was able 
To note upon the haly table, 
A murderer's banes, in gibbet-airns; 
Twa span-lang, wee, unchristened bairns; 
A thief, new-cutted frae a rape, 
Wi' his last gasp his gab did gape; 
Five tomahawks, wi' blude red-rusted: 
Five scimitars, wi' murder crusted; 
A garter which a babe had strangled: 
A knife, a father's throat had mangled. 
Whom his ain son of life bereft, 
The grey-hairs yet stack to the heft; 
Wi' mair of horrible and awfu', 
Which even to name wad be unlawfu'.
Three lawyers tongues, turned inside oot,
Wi' lies, seamed like a beggars clout,
Three priests hearts, rotten, black as muck,
Lay stinkin, vile in every neuk.

As Tammie glowr'd, amaz'd, and curious, 
The mirth and fun grew fast and furious; 
The Piper loud and louder blew, 
The dancers quick and quicker flew, 
They reel'd, they set, they cross'd, they cleekit, 
Till ilka carlin swat and reekit, 
And coost her duddies to the wark, 
And linkit at it in her sark! 

Now Tam, O Tam! had they been queans, 
A' plump and strapping in their teens! 
Their sarks, instead o' creeshie flainen, 
Been snaw-white seventeen hunder linen!- 
Thir breeks o' mine, my only pair, 
That ance were plush o' guid blue hair, 
I wad hae gien them off my hurdies, 
For ae blink o' the bonie burdies! 
But wither'd beldams, auld and droll, 
Rigwoodie hags wad spean a foal, 
Louping an' flinging on a crummock. 
I wonder did na turn thy stomach. 

But Tam kent what was what fu' brawlie: 
There was ae winsome wench and waulie 
That night enlisted in the core, 
Lang after ken'd on Carrick shore; 
(For mony a beast to dead she shot, 
And perish'd mony a bonie boat, 
And shook baith meikle corn and bear, 
And kept the country-side in fear); 
Her cutty sark, o' Paisley harn, 
That while a lassie she had worn, 
In longitude tho' sorely scanty, 
It was her best, and she was vauntie. 
Ah! little ken'd thy reverend grannie, 
That sark she coft for her wee Nannie, 
Wi twa pund Scots ('twas a' her riches), 
Wad ever grac'd a dance of witches! 

But here my Muse her wing maun cour, 
Sic flights are far beyond her power; 
To sing how Nannie lap and flang, 
(A souple jade she was and strang), 
And how Tam stood, like ane bewithc'd, 
And thought his very een enrich'd: 
Even Satan glowr'd, and fidg'd fu' fain, 
And hotch'd and blew wi' might and main: 
Till first ae caper, syne anither, 
Tam tint his reason a thegither, 
And roars out, "Weel done, Cutty-sark!" 
And in an instant all was dark: 
And scarcely had he Maggie rallied. 
When out the hellish legion sallied. 

As bees bizz out wi' angry fyke, 
When plundering herds assail their byke; 
As open pussie's mortal foes, 
When, pop! she starts before their nose; 
As eager runs the market-crowd, 
When "Catch the thief!" resounds aloud; 
So Maggie runs, the witches follow, 
Wi' mony an eldritch skreich and hollow. 

Ah, Tam! Ah, Tam! thou'll get thy fairin! 
In hell, they'll roast thee like a herrin! 
In vain thy Kate awaits thy comin! 
Kate soon will be a woefu' woman! 
Now, do thy speedy-utmost, Meg, 
And win the key-stone o' the brig;
There, at them thou thy tail may toss, 
A running stream they dare na cross. 
But ere the keystane she could make, 
The fient a tail she had to shake! 
For Nannie, far before the rest, 
Hard upon noble Maggie prest, 
And flew at Tam wi' furious ettle; 
But little wist she Maggie's mettle! 
Ae spring brought off her master hale, 
But left behind her ain grey tail: 
The carlin claught her by the rump, 
And left poor Maggie scarce a stump. 

Now, wha this tale o' truth shall read, 
Ilk man and mother's son, take heed: 
Whene'er to Drink you are inclin'd, 
Or Cutty-sarks rin in your mind, 
Think ye may buy the joys o'er dear; 
Remember Tam o' Shanter's mare.

 

slàinte mhath!

 

=============

Further reading and links:

http://en.wikipedia.org/wiki/Robert_Burns

http://www.bbc.co.uk/arts/robertburns/burns_night_running_order.shtml

http://www.scotland.org/whats-on/burns-night/

http://www.bbc.co.uk/arts/robertburns/works/tam_o_shanter/ (excellent link where you can hear the poem recited by the actor Brian Cox)

Speaking Scots

In Eastern central Scotland where I was born and still live, I grew up speaking two languages: English and Scots. Now some folk don’t see Scots as a language but more of a dialect. But it’s a language in my book, and has it’s own words, phrases and history. It’s still commonly spoken in the lowlands, and in the north east they speak a version called Doric. It’s also spoken in parts of Ulster.

My Dad didn’t like me speaking Scots and often corrected my speech by making me say things in English and pronounced in English than with an oary Scottish tongue. He thought Scots was common and ugly. I think it’s part of our rich cultural heritage and we should take pride in it.

So just thought I would share some Scots words and phrases with you 🙂

A’bodie/aw’body: everyone

Baith: Both

Baffies: Slippers

Blether: talk nonsense

Bra/Braw: Great, brilliant.

Cauld/Cald: cold

Clout: to hit, slap or strike

Canny: Gentle

Dreich: dull, grey, gloomy (usually in reference to the weather)

Faither: Father

Fleg: Frighten

Flit: to move (house)

Glaikit: Stupid

Greet/Greit:  to cry

Haivers: nonsense

Hen: Term of endearment for a woman

Ken: know

Lum: Chimney

Mither: Mother

Mind/Mynd: remember

Nicht: Night

Peelie-Wallie: pale

Radge: mad, angry, rage

Scunner: disklike, disgust

Snaw: Snow

Teckle: good, great

Thon: Those

Hud Yer Wheesht: be quiet!

Whit’s fur ye’ll no go by ye!: What’s meant to happen will happen.

Ma heid’s mince: My head’s a bit mixed up.

***

Thanks for reading! 🙂

A visit to Dunkeld and The Hermitage

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Image from Tumblr

We are in the depths of Autumn now, where the weather is taking a turn towards winter. I can feel the chill in the air and I’m taking bad with waking up in the dark mornings, and finishing work in the dark too. I’m definitely more of a Spring and Autumn person. Those are my seasons. But winter is not without it’s charms. Is there anything more inviting than fresh snow waiting to be walked upon?

I always want to get outdoors this time of year, before the weather turns really bad. So my witchy friend J and I hopped into his car and took a day trip to Dunkeld and then visited The Hermitage.

Dunkeld is a lovely town, it feels very villagey and very old. Dunkeld is thought to date back to sixth century when a monastery was founded by the banks of the River Tay. Kenneth MacAlpin, the first King of Scotland, moved the bones of St Columba to Dunkeld around mid 9th century, which established Dunkeld as the first ecclesiastical capital of medieval Scotland . Building of the current Dunkeld Cathedral began in the 12th century and additions were added up to the 16th.

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I spotted this beautiful yew tree close to the market cross and had to take a photo. There were tons of yew trees growing around Dunkeld Cathedral, I’ve never seen so many in once place before, though they are frequently grown in churchyards.  The Yew has a lot of folklore behind it, as it is an evergreen tree and known to grow for thousands of years. The oldest yew tree in Scotland is at Fortingall and estimated to be between 1,500 and 3,000 years old. The yew is a tree of death and rebirth, it contains a poison in it’s wood, leaves and seeds, and known for it’s longevity not only by the number of years it can live for, but also because it can continue to grow new shoots from cut surfaces and low on its trunk, even at an old age.

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on the Telford Bridge overlooking the River Tay

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Dunkeld Cathedral

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We stopped by Palmerston’s cafe and had tea and scones. I opted for the Earl Gray blue flower and an apple and cinnamon scone with jam and clotted cream. Ahh it was amazing. Palmerston’s is a lovely cafe and the food is home made. Would definitely stop by there again when I next visit Dunkeld.

It was getting a bit late in the afternoon so we quickly made our way to The Hermitage through the Craigvinean Forest. We’d said prayers to the forest spirits to let them know we meant no harm or disrespect. I’d brought offerings along too, and placed them out throughout the forest as we walked along. I was gifted with a chunk of quartz which appeared on the path I walked. So I said my thanks and took it with me.

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Can you see it’s face?

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Misty Craigvinean Forest

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Boulder with a troll like face

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Totem pole, carved from a Douglas Fir tree by a native Canadian from the Squamish Nation

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The forest was huge and easy to get lost in. But beautiful to see the firey oranges of the ferns and the evergreens. Very autumnal, with the scent of the damp earth and rain soaked trees. Rivulets of a stream ran through the forest to join up with the River Braan. A ferocious hungry river, travelling fast and crashing against rocks. I cast out offerings into it’s hungry jaws.

Many people have walked these forest paths, some famous people include Wordsworth, Queen Victoria, Mendelssohn and Turner.

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mini stream

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River Braan

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River Braan leading to the Black Linn Waterfall and up to Ossian’s Hall and bridge.

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Ossian’s Cave

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From inside Ossian’s Cave

We found Ossian’s Cave in the middle of The Hermitage.  Named after James MacPherson’s Ossian . The cave and the Hall of Mirrors are Georgian follies created by the Duke of Atholl. The cave is a small man made cave, along with Ossian’s Hall of Mirrors which overlooks the Black Linn falls.

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Image from Google

My phone battery died at this point so I didn’t get great photos of the cave and hall, so here are some from google:

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Inside Ossian’s Hall

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Ossian’s Hall

We stood by the railings of Ossian’s Hall, tuning into the energy of the river and getting soaked by the spray of the waterfalls. I asked for energy from the river, to help me on my spiritual path, to give me the energy to fight through apathy. Witchcraft involves hard work if one is to move forward. So many of us reach a plateau and do not have the energy or the will to move past it. For me I’ve been in a somewhat dark night of the soul. I think it’s because so much has changed for me. The wool has been pulled from my eyes, I’ve banished illusion and I’ve stepped away from another’s dogma. I’m seeking my own truth, as we all must.

I love our witchy car conversations. On the way back home we were discussing the new projects we were looking into; gods vs spirit work, occultism, and where we see our practices in 5 years. I’ve come to the conclusion that I really don’t like man made limitations being imposed on my practice. My practice is fluid and has changed dramatically. I started off being a solitary wiccan at age 14, then joined a Gardnerian coven at age 25 and was initiated at 26, I left the coven for various reasons earlier this year and now I’m back to being solitary.My craft is very fluid and eclectic. But I can’t honestly answer where I would like to be in five years time, spiritually. My practice is very much a day to day existence at the moment and I can’t currently see where it is I’m heading. The one thing I hope for, is that wherever I end up I hope I get there through my own will and following my own truth and not the will or truth of another.

I call myself a witch not Wiccan as that’s no longer what I practice. I use a more natural, instinctive approach to my craft, utilizing whatever I have to hand. I include a lot of Scottish folk practices as that’s my culture, but I don’t call myself a Gaelic polytheist or a Celtic re-constructionist. I incorporate some hoodoo practice but not enough to call myself a rootworker. I’m looking into traditional witchcraft, folklore, animism and modern occultism. As for gods… well I used to be a god worker in the sense of working with a god and goddess in a Wiccan format.  But now I would say I’m more of a spirit worker. I work with my ancestors and the spirits of the land. I tend to view gods as spirits too, although more powerful spirits than say the spirit of a plant or tree. I’m still trying to figure out the rest of what I believe. I’ve rejected some of what I’ve been taught by books and the coven, because I don’t want to adopt another person’s worldview. I’m currently trying to figure out exactly what it is I believe in. At the moment I need to stop thinking, and get doing.

But the journey is part of the fun 😉

Tìoraidh an-dràsta (Goodbye, for now)